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NAKAMURA illustrated bottle

Original bottle illustration — Bacchus Global
This illustration supplements the product information and is not a photograph of the actual product. Details such as the bottle’s shape, colour and label may differ from the actual product. This page is provided for informational purposes only and is not intended to encourage the purchase or consumption of alcoholic beverages.
NAKAMURA · NAKAMURA SHUZOJO · KAGOSHIMA

NAKAMURA

なかむら

A sweet-potato shochu shaped by the slow work of a stone koji room. Wooden trays, rice koji and clay pots are not an image here; they are the physical rhythm that gives NAKAMURA its composed, grounded character.

Thailand · Product information

Product information from Bacchus Global Co., Ltd., based in Bangkok, Thailand. About Bacchus Global

Hand-crafted honkaku imo shochu
StyleHonkaku imo shochu
Sweet potatoKoganesengan
Rice kojiKirishima Hinohikari
Koji makingStone room · wooden trays
Alcohol25%

Sensory profile

NAKAMURA — Sensory profile
Recorded BG reference assessment on a 1–5 scale; not laboratory measurements.

Listen

The work behind “handmade”

Starting with the Japanese word for “handmade” on the label, Aya and Kenji explore the work behind Nakamura, from the raw-material fields to the koji room and label application. Runs about 8 minutes 14 seconds.


READ & DISCOVER · 3 QUESTIONS

Three questions about Nakamura’s handwork.

Sweet potato and koji rice, the stone room, and the reach of handwork. Follow three details on this product page.

03/ 03

You can refer to the text as you answer

Question 1

How does this page identify Koganesengan and Kirishima-grown Hinohikari?

  1. Sweet potato and rice for koji, respectively
  2. Rice for koji and sweet potato, respectively
  3. Two varieties of sweet potato
Read the answer and explanation

Correct answer: A — Sweet potato and rice for koji, respectively

Koganesengan is the sweet potato; Hinohikari from Kirishima is the rice used for koji. They play different roles in this sweet-potato shochu.

Read the relevant passage

Question 2

What work does the page associate with the stone-built room and wooden trays?

  1. Making rice koji
  2. Ageing the finished shochu in barrels
  3. Storing bottles after filling
Read the answer and explanation

Correct answer: A — Making rice koji

The stone room and wooden trays are described as tools for koji making, with the rice and koji observed as they develop. They are not presented as barrel-ageing or bottle-storage equipment.

Read the relevant passage

Question 3

According to the podcast introduction, how far does the work behind “handmade” extend?

  1. From raw-material fields to the koji room and label application
  2. Only to the design printed on the label
  3. Only to operating the still
Read the answer and explanation

Correct answer: A — From raw-material fields to the koji room and label application

The podcast introduction traces work from the raw-material fields through the koji room to label application. It does not restrict “handmade” to one stage.

Read the relevant passage


The stone room

Koji is made by hand

Nakamura Shuzojo uses a stone-built koji room and wooden trays for its koji making. The work is deliberately small in scale: the maker watches heat and humidity through the material itself rather than turning the process into a mechanical routine. This approach begins long before distillation and sets the pace for the finished spirit.

Rice, water and clay

A local line through the making

Koganesengan sweet potato meets Hinohikari rice grown in Kirishima for the koji. After atmospheric distillation, the spirit rests in traditional clay pots. The result is a shochu with depth but without spectacle—its sense of place comes from a sequence of materials kept close to the house.

The producer

Kirishima, Kagoshima — Nakamura Shuzojo

Nakamura Shuzojo was founded in 1888 in Kirishima, Kagoshima. The house works under a family principle of keeping the brewery small, continuing a hand-led approach centred on koji, earthenware and the local water source.

The work in the brewery

Koji follows its condition, not a machine

Nakamura Shuzojo makes its koji in a stone-built koji room using wooden koji trays. Instead of forcing the process to follow machine settings, the makers work in response to the condition of the rice and koji.

The family principle, “Do not make the brewery bigger,” has been carried forward since the brewery was founded in 1888. It is a commitment to keeping the work within the makers’ sight and hands, rather than competing on scale.

The sixth generation

A sake-brewer’s view brought to sweet-potato shochu

The sixth-generation toji, Shinya Nakamura, studied brewing at Tokyo University of Agriculture and trained at Hatsumago, a sake brewery in Yamagata. He brought a sake-brewer’s attention to rice koji and fermentation into the making of sweet-potato shochu.

Serving profile

Sweetness and texture shift with temperature

The producer describes the spirit as sweet and gently roasted when warmed, and silky and smooth when served chilled. Atmospheric distillation and rest in traditional clay pots give the regular expression depth without losing composure.

The regular expression is 25% ABV and is listed in 720 ml and 1,800 ml formats. Try it neat, on the rocks, with water or warm water to see how temperature and dilution shift its profile.

Food affinities

How temperature changes the way it sits with food

The pairings below are not a combination presented officially by the brewery, but a reading drawn from the aroma and texture characteristics recorded on this page.

A direction that follows the sweet, toasty character when warmedA hot cream soup, a Japanese pork and root vegetable stew, and tom kha gai (coconut milk chicken soup). The sweet, toasty aroma that rises when served warm runs in the same direction as the steam of a hot dish.
A direction that follows the smooth texture when chilledA cold carpaccio, Japanese sashimi or chilled tofu, and green papaya salad (som tam). The smooth texture felt when served on ice sits alongside the texture of a cold dish.
A direction that follows the sweet potato’s substantial sweetnessRoasted root vegetables or cooked sweet potato, a Japanese simmered pumpkin or sweet potato dish, and a Thai curry (gaeng) with pumpkin. The substantial sweetness carried from the raw material sits on the same base as root vegetable sweetness.
A direction that follows the quiet, lingering textureA delicate Western-style poached white fish, a Japanese dashi-steamed egg custard (chawanmushi), and a mildly spiced green curry (gaeng khiao wan). The quiet texture shaped by hand-crafted work meets the finish of these delicate dishes.

This pairing rationale draws on the following reference books: The official description that this shochu turns “sweet and toasty when warmed, smooth when chilled” lines up with the idea in Logical Pairing that temperature changes how the five basic tastes and aroma are perceived. The book notes that umami and sweetness become easier to sense when warmed, while texture shifts in softness with temperature — Nakamura’s temperature design can be read as following that same principle when paired with food. Sushi and Washoku Pairing Rules also notes that distilled spirits carry almost no iron and are unlikely to bring out fishy notes in seafood, which is one more reason it sits well with delicate seafood dishes.

Pairing guide — Shochu & Selected Spirits

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