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The Pale Pink Spectrum: The Craft Behind N.P.U. Rosé 2009

Ukiyo-e woodblock-style illustration of green-gold and purple grapes, an opened grape and an oak barrel in an imagined stone winemaking space

The pale pink of Champagne begins with how its grapes are handled. BRUNO PAILLARD N.P.U. Rosé 2009, made by the Reims-based producer, spent more than twelve years aging on its lees. Its color is drawn from contact between a portion of the juice and the grape skins. The process that creates color and the time that develops aroma offer two ways to understand the work behind this bottle.

This illustration supplements the product information and is not a photograph of the actual product. Details such as the bottle’s shape, colour and label may differ from the actual product. This page is provided for informational purposes only and is not intended to encourage the purchase or consumption of alcoholic beverages.

Nec Plus Ultra: Philosophy and Vintage Lineage

N.P.U. stands for the Latin phrase Nec Plus Ultra, translated as “nothing beyond.” Bruno Paillard chose the name to express his winemaking goal. That ambition is reflected in the selection of harvest years and extended maturation.

White N.P.U. began with the 1990 vintage. In its October 2026 documentation, the Japanese importing company Millésimes lists ten white N.P.U. vintages. In harvest-year order, they are 1990, 1995, 1996, 1999, 2002, 2003, 2004, 2008, 2009, and 2012. White N.P.U. is made from harvests the producer considers suitable for the cuvée.

The rosé has a separate history, including experimental bottlings from 2003 and 2004. The producer presents the 2008 vintage as the first in the official rosé series, with 2009 following it. Distinguishing white from rosé, and trials from the official series, helps place this wine in context.

Maceration: Extracting Color from Pinot Noir

Pinot Noir has dark purple-black skins, where most of its color pigments are found. Pressing with limited contact between juice and skins allows the grapes to produce white wine. Even with dark-skinned grapes, the way the skins and juice are brought together affects the wine’s color.

Rosé Champagne can be made by adding red wine to white wine, or by drawing color from skin contact. According to the Millésimes documentation, N.P.U. Rosé 2009 draws color by keeping a portion of the juice in contact with the skins. This process, called maceration, extracts pigments and other compounds from the skins into the juice.

Maceration influences flavor as well as color. The choice of how to bring skins and juice together also expresses the producer’s intended style of rosé.

Six Grand Cru Villages in the 2009 Harvest

N.P.U. Rosé 2009 contains 50% Chardonnay and 50% Pinot Noir. The grapes come from six villages: Oger, Le Mesnil-sur-Oger, Chouilly, Verzenay, Mailly, and Bouzy. All six hold Grand Cru status in Champagne’s village classification.

The number 2009 identifies the grape harvest year. In the account published by Millésimes, Champagne experienced thunderstorms and hail during spring and early summer. August was hot and dry, while moisture stored in the soil during spring helped the grapes ripen while retaining acidity.

Harvesting began on September 10 with Chardonnay in Oger and Le Mesnil-sur-Oger. Pinot Noir from Mailly was harvested last, and the work lasted ten days. Following the vintage year reveals both the weather and the progression of harvest work across the villages.

Ten Months in Oak, More Than Twelve Years on Lees

Only juice from the first pressing is used. The wine underwent fermentation and maturation in small oak barrels for ten months. At this stage, it was still wine, before the creation of bubbles. Barrel maturation involves aromas from the wood and changes in flavor associated with exposure to small amounts of oxygen.

The wine was then bottled for a second fermentation, which created its bubbles. The sediment remaining after fermentation, including yeast, is known as lees. N.P.U. Rosé 2009 matured with its lees for more than twelve years in a cellar maintained at 10.5°C.

During maturation on lees, compounds from the yeast gradually enter the wine, changing its aroma and texture. The twelve-plus years refer specifically to this period in the bottle with the lees. It differs from the initial ten months in oak, both in the vessel used and in the maturation conditions.

In the German Champagne publication Champagne Magazin, critic Sascha Speicher awarded N.P.U. Rosé 2009 the maximum score of 100 points. It was presented as the first rosé Champagne to receive 100 points from the magazine.

Speicher described aromas reminiscent of brioche, almonds, and orange peel. Brioche is a bread made with eggs and butter. These familiar references to fruit, bread, and nuts help readers understand the aromas of a wine that has undergone prolonged maturation.

Color and Sweetness Come from Separate Steps

Dosage is the finishing step in which sugar is added to adjust sweetness. For this wine, the amount of sugar added is three grams per liter. Dosage is a separate step from the process that creates the rosé color. Considering the pink appearance and the adjustment of sweetness separately makes the production method easier to follow.

Skin contact draws out color. The wine is then matured in oak, before its aroma and texture develop further in the bottle with the lees. From selecting the harvest year to the final dosage, N.P.U. Rosé 2009 brings together the producer’s decisions at each stage.


This article explores the winemaking methods and cultural background of Champagne Bruno Paillard and N.P.U. Rosé 2009 for educational purposes. It is not intended to encourage the purchase or consumption of alcohol. For readers aged 20 and over.

บทความนี้นำเสนอวิธีการผลิตและภูมิหลังทางวัฒนธรรมของ Champagne Bruno Paillard และ N.P.U. Rosé 2009 เพื่อการศึกษา มิได้มีเจตนาส่งเสริมการซื้อหรือการบริโภคเครื่องดื่มแอลกอฮอล์ สำหรับผู้อ่านอายุ 20 ปีขึ้นไป

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